Because of the intricate layout of these two poems, we had to upload them as images rather than text. That makes them opaque to screenreaders, so we included the full text of the poem in the caption and again in the alternative text. -ed.
Dark magnolia leaves with one or two fuschia blossoms. behind, a figure walking on a road. Orange autumn leaves are also visible everywhere. Photo by Adam Katz.
Puzzle Box Rattling
I ponder a poem swirling in my stomach sequestered between the Sternum & Spine It Rattles inside its Box until it escapes And moves To the mouth And whirls— The square tasting Like wet cardboard as I Catch it between my teeth & pinch it with my filed down fingers & Pry It Out. Only to find a puzzle piece. Only it’s blank. Only containing hints of a fading picture. Promising to paint it, I pocket the piece & lay it in a mostly empty frame—sparsely populated with parts of paintings. I watch it, impatient. Reach my pointer into the mouth, for the next part gagging as the fingerSticksToSaliva&Slime —Still— no new piece falls out. There are—it seems—people who write in pictures and not puzzles. Though I try, I am saddened that the stomach only churns in parts
——————————— An Oil Painting of an Abyssal Surface ——————————— We went there at night. Parked our car at the parking lot and entered The ocean horizon was nothingness Clouds hid moonlight And stars and there was but an abyss. A canvas of black stretched With layers of paint scraped Onto its surface with a spatula Leaving harsh stark lines on the painting. The only clear lines. The seafoam whites paused to be admired. Selfishly showing off when all other beauty sleeps. It keeps the watchers where it’s the prettiest by chilling its waters. With the gentle storm winds brewing in salty mist No birds chase away the watchers. No stars draw the eye. We tell ourselves it’s too cold to cross the salty shoreline. That it would storm. And we leave. Promising To come back. Drive To the cookout drive through Order fries and listen To the tune of those grasping selfishly like the sea to be seen, but never accomplishing it. They are but forgettable Compared to the guttural sound. We jump from genre to genre. Country. Hip-hop. Musical. Pop. Disney. Climb out the window. Feel the breeze around us. A wind much unlike the sea’s bellowing breath, blanketing bountifully around us. We stayed, our feet in soggy socks with girth instead of socks abandoned in the grains as our feet pressed the texture. Instead, we reminisce in the lot as —— the lonely blackness revealed its beauty to the shells and sand grains that stayed ——
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Nitya Budamagunta
Nitya Budamagunta is a BFA creative writing student at University of Noth Carolina Wilmington. Her poem “Houses” received an honorable mention for NC State’s Dorianne Laux Poetry Prize, and she is the editor-in-chief of Atlantis Creative Magazine. When not writing, she can be found fencing, pondering how the universe started, and making earrings. Find her @nityasnovelnook on Instagram, or on her website https://bvnitya.wixsite.com/novelnook